The American Modernist Movement Essay Example For Students

The American Modernist Movement Essay Ernest Hemingway, John Stienbeck, F. Scott FitzgeraldThe American Modernist Movement Essay has generated some of the most famous authors to date. Flannery OConnor may not have reached the fame of her modern counterparts, but that does not mean her work is of any less value. OConnor wrote independent of the movement, with an original and controversial flair that others could not achieve. Her philosophies and convictions encompassed an entirely different world, where the ideals of Modernists clashed with her fierce Catholic beliefs. Flannery created her stories on the brink of a turbulent era, and it shows. The influence of important events in the 50s and 60s, such as African American civil rights, were a staple in many of OConnors stories. At first glance, it may appear that OConnor does not share many of the Modernist qualities. While she did take part in the ironic nature of the era, she didnt experiment in the form or voice, or dabble in realist fiction. Her work was continuously her own, unchanging and reliable, yet shocking. We will write a custom essay on The American Modernist Movement specifically for you for only $16.38 $13.9/page Order now A good example of the contrast and similarity between OConnor and other Modernist is found in the comparison of Hemingways The Old Man and the Sea and OConnors short story The Lame Shall Enter First. In Hemingways novel, an old and feeble man catches a massive fish, but in an ironic twist, sharks eat away at it until he has nothing but a skeleton to prove his fleeting accomplishment (The Old Man and the Sea ##). In The Lame Shall Enter First, a man devotes himself entirely to a disabled hoodlum who backstabs him, while his own son suffers through the painful loss of his mother. In a shocking turn of events, the hoodlum exits his benefactors life and the son kills himself (The Lame Shall Enter First 190). Ironically, the main characters in both stories are left with a skeleton; one of a fish, and one of regrets. The difference lays in Flannerys message. She intended to comment on intellectualism and relations with God. Modernists often tackled religion in an entirely different way. They used religious symbolism to add dimensions to characters and questioned how our world would be different without God. Most did not try to impart a moral lesson on the reader like OConnor did. The violence she used to make a moral impression on the reader was merely a means to an end. Obviously OConnor sought to contrast the authors of her time by providing an ethical directory, rather than sheer entertainment. Her religion was not the only influence OConnor lived under. During the time she wrote, America was going through a tumultuous civil rights movement. It started with Brown v. Board of Education, the landmark ruling in 1954 that put an end to segregation between white and black students (Brown v. Board of Education 1). Racial conflicts and themes were the core of many of OConnors pieces, such as in the short story Revelation. A haughty and self-important Mrs. Turpin chats with a well-to-do woman in a doctors waiting room, while mentally criticizing other patrons of the doctor, including white trash woman. Worse than niggers anyday, Mrs. Turpin thought (Revelation 194). Of course Mrs. Turpin meets an unfortunate end. Another example of a racial theme is in the popular short story Everything That Rises Must Converge, in which an intellectual condemns the racist actions of his mother, who because her prejudiced behavior, is struck by a black woman, which gives her a stroke (Everything That Rises Must Converge 23). In these examples we see that the civil rights movement undoubtedly influenced OConnor. However, the moral of the stories may not have been as obvious as they appear. While the racist characters often meet sorry ends, they possess an innocence that allows the reader to sympathize with them. Traditionally, Southerners have been more sympathetic to those whose faults stem from innocence. They tend to more judgmental of the liberal sentiments that lead to folly. .ufa032a2980c64e73a9fcbf1088aff190 , .ufa032a2980c64e73a9fcbf1088aff190 .postImageUrl , .ufa032a2980c64e73a9fcbf1088aff190 .centered-text-area { min-height: 80px; position: relative; } .ufa032a2980c64e73a9fcbf1088aff190 , .ufa032a2980c64e73a9fcbf1088aff190:hover , .ufa032a2980c64e73a9fcbf1088aff190:visited , .ufa032a2980c64e73a9fcbf1088aff190:active { border:0!important; } .ufa032a2980c64e73a9fcbf1088aff190 .clearfix:after { content: ""; display: table; clear: both; } .ufa032a2980c64e73a9fcbf1088aff190 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ufa032a2980c64e73a9fcbf1088aff190:active , .ufa032a2980c64e73a9fcbf1088aff190:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ufa032a2980c64e73a9fcbf1088aff190 .centered-text-area { width: 100%; position: relative ; } .ufa032a2980c64e73a9fcbf1088aff190 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ufa032a2980c64e73a9fcbf1088aff190 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ufa032a2980c64e73a9fcbf1088aff190 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ufa032a2980c64e73a9fcbf1088aff190:hover .ctaButton { background-color: #34495E!important; } .ufa032a2980c64e73a9fcbf1088aff190 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ufa032a2980c64e73a9fcbf1088aff190 .ufa032a2980c64e73a9fcbf1088aff190-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ufa032a2980c64e73a9fcbf1088aff190:after { content: ""; display: block; clear: both; } READ: Mahatma Gandhi EssayBecause OConnor mostly dealt with southern issues, the prevalence of the liberalism is not as obvious as that of civil rights. Still, the major increase in liberalism during her time influenced her work. This is showcased in the story The .

Famous People with the history of Oral Surgery essays

Famous People with the history of Oral Surgery essays Beginning in the very earliest of times, any surgical operation was literally an agonizing, terrifying ordeal-a living and many times, a dying hell. Even a trip to the dentist for a tooth extraction was a much feared, and dreaded experience. Imagine yourself, walking down a dusty, cobblestone road, with this excruciating toothache, one so bad that its almost unbearable. You stop at the barbers cart sitting off to the side of the road to see what all can be done to your tooth. The barber, wearing no gloves and having no experience in this field, finishes the person before you. The barber, who has not washed his hands, tells you to open up wide. With bugs and dust flying all around you, you open your mouth and the barber puts an instrument (one that was previously in the other persons mouth) into your mouth and tells you that he is going to have to pull the tooth. The barber, along with 4-10 strong men who are holding you down, pulls the tooth right out without having any sort of anesthetic. Along with the tooth is a piece of your jawbone. You scream! All you could think of was the pain. As days go by, you now have a horrible infection. Puss is seeping from where the tooth was and is pouring down the back of you r throat. The pain is just so unbearable that you then decide to commit suicide. Now, imagine yourself walking into a clean and sterile room. You lay down in a chair to receive your anesthetic so you wont be in any discomfort through the surgery. The doctor and assistant, who are both now wearing gloves and a mask, perform the operation using instruments that have run through the autoclave and have been sterile. Everything goes well, and you are given antibiotics to prevent from getting an infection. Because of people like Guy de Chauliac, William Thomas Green Morton, and many other famous people, oral surgery and anesthetics are far more advanced today than what they used t...

Solids Conveying Essay Example | Topics and Well Written Essays - 1250 words

Solids Conveying - Essay Example In our everyday life, items need to move from one point to another, for efficiency, for different reasons such as construction, packaging in industries, assembly houses and manufacturing industries. Nevertheless, some of these items are too heavy or bulk for an ordinary person to move them, thus, the need for solid conveying systems. According to (Colijn 1985) conveyor systems are mechanically constructed equipments that help in moving bulk materials from one point to another. Thus, systems make work easier and enhance efficiency in production. A pneumatic Conveying system is a type of system that uses gases as a medium of transportation of materials of any size or magnitude from one point to another. Air is the most appropriate medium of transportation of material in many systems with the exemption of systems that are most likely to have reactors or systems that faces potential threat of explosion of dust particles, which when mixed with air, reduces the productivity of the air as a medium (Klinzing 2010). The productivity of a pneumatic conveying system depends entirely on how it is set up. For instance if a the system is set up with the required standards and protocols, it become efficient and economical to any organization that uses it as it is simple, affordable and easy to maintain during installation and operation. In addition, the system is sealed fully and there is no contact between other moving parts and the system, thus enhances the cleanliness of the system and makes the system environmental friendly. Subseque ntly the pneumatic Conveying system is very flexible especially when the organization decides to have an expansion of the system. These systems are convenient for fine powders or pellets that have densities from about 16 to 3200 kg /m3, thus these systems work efficiently and conveniently with particles of up to 2 inches density in diameter, as this is its general rule for its convenience (Colijn 1985). Pneumatic

John Maynard Keynes Essay Example | Topics and Well Written Essays - 500 words

John Maynard Keynes - Essay Example If the existing aggregate expenditure level is not adequate to acquire the whole supplied real GDP, output will be reduced until real GDP level is equivalent to the aggregate expenditure level (Morton 2003). Thus, according to Tucker (2008), if the existing aggregate expenditure level is not adequate to acquire real GDP’s normal level, then the real GDP’s equilibrium level will fall at some point below the normal level. If the falling of prices is prevented, then to prevent too much inventory accumulations supplies should cut back the supplied quantity, even though they would be eager to provide bigger volumes at the existing market prices (Morton 2003). This scenario is a case of equilibrium merely in the quite narrow logic that the ‘quantity actually supplied of final goods and services is equal to the quantity demanded’ (Truett & Truett 1998, 71). The multiplier theory determines an exact correlation between the rate of investment and aggregate income, g iven the slight tendency to consume (Morton 2003). Keynes coined the term ‘investment multiplier’ to refer to that internal factor innate in the economic system which transmits, incorporates, and absorbs an outside ‘shock’ (Truett & Truett 1998, 72).

Mission San Diego de Alcala Essay Example | Topics and Well Written Essays - 500 words

Mission San Diego de Alcala - Essay Example The relocation of the Mission from Presidio Hill to the new site took place in the year 1774. Mission San Diego de Alcala is listed as a designated National Historic Landmark and not only that but also on the state level is recognized as a Landmark by the Californian regime. The heritage resource is something that can be easily tied in with the Mission San Diego de Alcala. It has a lot of viewers annually due to its significance in terms of the historic site as well as the enigmatic structure which is based solely on the religious angles. It is after all a place of worship and surely looks like one. The open spaces within the Mission clearly suggest that there is indeed a large space for the worshippers and the sense of ease and calm is something that can be written home about as far as its architecture is concerned. The building rooms within the whole structure are not that tall but they provide space for a number of worshippers to be had within it. The roof at the lower level is covered in a very ancient looking manner which suggests that the traditional thinking was taken care of when it was being constructed. The official artistry of Mission San Diego de Alcala is in line with the religious places like a church or a mosque so to speak. The shades at the front end are supported by a number of pillars which form the support structure for the entrance at the anterior end. The reredos typifies the architecture of the Mission. The wooden structure has different small openings which hold the statues within it. Apart from this, the reredos gives support to the various mirrors which have their front ends with the large arch present towards the bottom sides as well as a smaller one being positioned on the faux and top columns side by side. The reredos is thus a structure that holds the complete statues positioning. Its location is somewhat of an interesting story since it is situated on the Friar’s Road, Murphy Canyon Road where there is a small lane

Human Resources Planning at Tata Consultancy Services Limited

Human Resources Planning at Tata Consultancy Services Limited About the Company: Tata Consultancy Services Limited (TCS). Tata Consultancy Services Limited (TCS): is a software services consulting company, one of the largest provider of information technology and business process outsourcing services in Asia. Tata Consultancy Services Limited (TCS) is a flagship subsidiary of one of Indias largest and oldest conglomerate company, the Tata Group, which has interests in areas such as energy, telecommunications, financial services, manufacturing, chemicals, engineering, materials, government and healthcare. 2.1 Analysis of business factors in Tata Consultancy Services Limited (TCS) The major factors that are taken into account while planning the human resource planning are: -Schedule of available resources -Skills of available resources Some of the minor factors: -Personality conflicts among the employees -Attendance History of the employees -Team player -willingness to work on given project Additional major factors: -Production forecasting -economic conditions which may cause the company to lay-off or cut-back, or increase their workforce. Issues in Tata Consultancy Services Limited (TCS) The compensation management practices of Tata Consultancy Services Limited (TCS) have taken as the major issues here. Their compensation management system was based on the Economic Value Added (EVA) model. By implementing this model in to the business, the salary of employees comprised of two parts of fixed and variable. The fixed salary will reach employees without any delay, but the variable part of the salary was arrived only after considering business unit EVA, Corporate EVA and also individual performance EVA. Based on this calculation, the employees can earn their salary. In the last quarter of the financial year 2007-2008, Tata Consultancy Services Limited (TCS) has announced that it is in the critical situation, so as it has planned to slash 1.5% of the variable component of employees salaries since its EVA targets were not met by the third quarter of the financial year. This announcement is not only for Tata Consultancy Services Limited (TCS) employees but also to the entire Indian IT industry. 2.2 Assessment of Human Resource Requirements in Tata Consultancy Services Limited (TCS) The Company viewed their employees as their assets, so they have more concentrated on the efficient utilization of those assets. Tata Consultancy Services Limited (TCS) had drawn criticism for its compensation structure. In view of the employees, the salaries were not on a par with industry standards. It has started to loss its employees as not in the situation to follow the Employee Stock Options (ESOP), which is being followed by its competitors. ESOP is one of the emerging tools to retain the employees with the Tata Consultancy Services Limited for a long time. In this situation, the management was collapsed with the current policies, and it tends to modify the strategies as per their norms in order to meet employees requirements as well as the targets setted by the company. To overcome the problem occurred, it is suggested by the Tata Consultancy Services Limited (TCS) senior management to constantly keep the employees track of the vast intellectual assets, their skill sets, the status of projects on which they were working. Then, they have started to assess the required number of people available to be placed in the other new projects. 2.3 Developing human resource plan in Tata Consultancy Services Limited (TCS) The human resource plan can include the assigned skill sets of the resources for a project and the degree in which they will be used. The plan should incorporate with the resources, the time and degree of usage, task or areas of applied resources. The following model relies on gap analysis and which links the human resource planning to overall business planning. Workforce Analysis in Tata Consultancy Services Limited (TCS) It is the process of analyzing and understanding the workforce and planning for projected shortages and surpluses in specific occupations and skill sets. In Tata Consultancy Services Limited (TCS), workforce analysis should be made based on their projects. So that only they can realize the needs to assess the further requirements or improvements what is to be made to the current plan. Internal Scan in Tata Consultancy Services Limited (TCS) What are the factors which affecting the Tata Consultancy Services Limited internally, that is to be identified. Then the required steps can be taken to create a solution and to enhance the HR capacity in order to meeting the Tata Consultancy Services Limitedal goals. The internal factors may be as: work environment, quality of work life, relationship with their peers/subordinates, etc., In Tata Consultancy Services Limited (TCS), internal factor which affecting HR capacity might be their compensation structure. Definitely, it will lead to create a problem while attaining the goals. So that, the grievances must be monitored by the management and also they should take preventive measures. External Scan in Tata Consultancy Services Limited (TCS) External scan means all environmental factors in which affecting the workforce capacity, HR priorities and emerging issues. Gap Analysis in Tata Consultancy Services Limited (TCS) After scanning the external factors, gap analysis can be made. It may consider the current and future HR needs. Priority Setting and Work Plan in Tata Consultancy Services Limited (TCS) Based on Tata Consultancy Services Limited (TCS)s priorities, environmental scan, and HR performance related data: major human resource priorities, strategies to achieve the desired outcome. Monitoring, Evaluating and Reporting in Tata Consultancy Services Limited (TCS) The human resource plan ends up with monitoring and evaluating the workforce capacity and then reporting the results of the performance to measure performance, set targets, and finally the results can be integrated together to make decisions and to determine the future priorities. 2.3 Evaluation of Human Resource Plan in Tata Consultancy Services Limited (TCS) The above developed human resource plan can be implemented by Tata Consultancy Services Limited (TCS) to overcome the above said problem. There are few things that apply to most human resources planning functions, and are important in making the process effective, or even to make it part of creating a competitive advantage in the marketplace. Human resource planning needs to be linked with the larger business planning or strategic planning process. It is not an end up process. The function is mean to support and enable the company to attain its business goals, so as such it needs to be linked to and driven by those business or strategic goals. HR planning is lead by the HR department and it should remember the whole process is to serve stakeholders and customers of the HR department. It cant be effective without an understanding of the company or Tata Consultancy Services Limited, its managers and employees, its mission and issues, etc and the environment in which it works. 3.1 Purpose of HRM policies in Tata Consultancy Services Limited (TCS) Human Resource Management policies are the tool for communicating a companys basic management philosophies, commitment to fair employment practices and equal opportunity, and the expectations of employees. HR Manuals are primarily used to provide HR personnel with a systematic approach for handling human resources related activities to ensure company policies are enforced. It is designed to define policies and procedures that support basic management philosophies, outline company rules and requirements, clarify the companys expectations of its employees, and describe lines of authority and levels of responsibility. The HR manual provides a means for formalized, systematic documentation and communication of those policies and practices established by the company. HR policies ensure that everyone in the Company/Tata Consultancy Services Limited is treated fairly and consistently and that their contributions to the success of the Company are appropriately recognized and rewarded. All employees shall be fully aware of what the Company expects of them and what they, in return, should expect from the Company. HR Policies summarize the Companys responsibility to individuals and their responsibility to the Company. 3.2 Impact of Regulatory Requirements on HR Policies Every country has its own regulations, laws and regulatory bodies or agencies governing the manufacturing, sales, marketing and distribution of products within the country. Also, every employee of the Company shall, in his business conduct, comply with all applicable laws and regulations, both in letter and in spirit, in all the territories in which he operates. The impact of regulations on policies of firms especially those who are technology-based limits the venture capital funding for these firms and affect what they can or intend to do and eventually limiting their capabilities to employ new hands thereby affecting the socio-economic fibre of the society.

Kanthapura, a Cultural Study

Kanthapura as a novel of village or rural sensibility: Raja rao’s Kanthapura is a tale of atypical south Indian village in the kara area of Mysore. The novel is a saga of village life with a political bias. There is no conventional hero or heroine in it. The village of Kanthapura itself; with its presiding deity Kanchamma, with its live giving river Himavath, with its rustic topography, crops, weeds and diseases, with its characteristics, superstitions and customs is one of the main character.The people of the village with Moorthy as the Gandhi man of the village, under whose leadership the villagers of her non-violent resistance, take up the work of village uplift. In depicting Kanthapura, the novelist has presented to us a real India in microcosm. What happens in Kanthapura is what happens everywhere in India, particularly in rural India. That Kanthapura is novel of village life is evident from its topographical details. The novel opens with a graphic description of the phys ical features of Kanthapura.In the beautiful valley of the river Himavathy, the village lies curled up like a child on its mother’s lap. As the novel opens we here the grinding and rumbling of carts, indicating the busy agrarian life. The hills, valleys and rivers which form the setting of the village, are most vividly depicted. Raja Rao has an eye for the details of nature’s phenomena which he presents with vividness. It’s said of Thomas Hardy by David Cecil that he could realise the different noises made by the wind when its blows through a hollow a heather and bare stones.Raja Rao, too, is unique in his precise yet poetic depiction of the outdoor rural life. In the month of Vaisakh men of Kanthapura plough the fields. The rains come and skip over the bronze mountain, tiptoe the crags, and leaping into the valley go splashing. The coconuts and the betel nuts and cardamom plants choke with it and hiss back. And there, there it comes over the Bebbur hill and Kan thur hill and begins to paw upon the tiles, and the cattle come running home. The people pray to Kenchamma, â€Å"There, there the rains have come, Kenchamma; may our house be as white as silver†.In the Kartik festival of lights, lights glow from banana trunks and mango tweaks behind yellow leaves, greens leaves: ‘Kartik is a month of the Gods’. In scenes like this, rural life in all its concreteness gives the novel its essential rurality. The novelist describes the caste wise quarters for Brahmins, Pariahs, Porters, Weavers and Sudras. The economic distinctions between one villager and another are precisely described. Post master SuryaNarayana has a two storied house, Patwari Nanjundaa has put glass panes to the windows. Pock-marked Sidda has a real thoti house.Thus the persons who stand out among the men and women of the village are the moneyed people like Kamayya, a coffee planter and Range Gowda. Even a casual glancing through the names and nick names of the Kanthapurians is a thing of great interest. The villagers wear tell-tale nicknames. The names contribute greatly to the individualisation of the village character and places to the evocation of proper rural sensibility. The untouchable quarters, full of the stench of the hide and pickled pigs where Moorthy dare to step in for the uplift of the village people are also described.The dramatist persona in the novel includes a good number of villagers. They work as coolies on the coffee estates and are poor. The harrowing (suffering) tale of the half-naked, starving, spitting, weeping coolies is touchingly told in the coffee estate episode. The villagers are not depicted as epitomes of virtue nor are they condemned as useless creatures. They are as they usually are. Their character evokes the rural atmosphere in the novel. Their life is not complete without the perennial presence of God or Goddess. Goddess Kanchamma is installed in a temple right in its centre.A river a hill and a temple with the presiding deity complete the picture of the village. The villagers offer the Goddess their first rice and first fruit of a tree; they appease her by singing song. The Goddess is the protector, the life and the breath of the village. She gives meaning to every activity of the villager and is a witness to all affairs in the village – birth, death, marriage, funeral, sickness, ploughing and harvesting – and what not. Vows are made to her. Oaths are taken in her presence. She protects the villagers through though famine and diseases.Except Goddess Kanchamma, there are also often local Goddesses like Talassanamma and Kanthapureshwari mentioned in the novel. Even their jurisdictions are fixed. Religion has a firm hold on the villagers’ mind. The villagers observe Shankar Jayanti and listen to the recital of Harikathas and celebrate the festival of Lord Krishna and Lord Ganesha. The evocation of village life is accomplished apart from the inter relation of th eme and characters, through means like description of festivals, ceremonies, social customs, superstitions and the apt use of rustic idioms.Various ceremonies and rituals such as hair- cutting, rice-eating, wedding, consecration and the seventh month ceremony finds a place in the novel. The novel shows how the villagers cling (hold tightly) to their age-old faiths for succour and relief. Beliefs and superstitions govern the sensitive minds of the Kanthapurians. There is a scene in which the treasures of core are counted as â€Å"Three-Hm-Four-Hm –Five† and because of the superstition which forbids the mention of six, it becomes, â€Å"God’s extra†.Moorthy’s horoscope doesn’t agree with that of the daughter of Ramayya and hence the bride’s family get disheartened. The clucking of the wall-lizards indicate propitiousness, auspiciousness. On seeing a shooting star seeping across the sky, the villagers say: †Some good soul has left the earth†. When someone has been attacked by Malaria, they used to do some rituals instead of taking quinine pills believing that those rituals will eradicate the disease.Before filling the earth the â€Å"peasants throw handfuls of puffed rice in the eight directions for warding off evil and for a good harvest†. Again it’s through the use of the rustic idiom a flavour of rurality is captured. The idiom and rhythm of the regional language are sometimes reflected in their novel. There are similes, comparisons and vituperative (harsh/abusive) terms which smell of the agrarian soil and culturet. Fine and detailed agrarian imagery is seen in many descriptions throughout the novel.

Francisco “Franz” Arcellana Essay

Francisco â€Å"Franz† Arcellana (September 6, 1916 – August 1, 2002) was a Filipino writer, poet, essayist, critic, journalist and teacher. He was born on September 16, 1916. Arcellana already had ambitions of becoming a writer during his years in the elementary. His actual writing, however, started when he became a member of The Torres Torch Organization during his high school years. Arcellana continued writing in various school papers at the University of the Philippines Diliman. He later on received a Rockfeller Grant and became a fellow in creative writing the University of Iowa and Breadloaf’s writers conference from 1956- 1957. He is considered an important progenitor of the modern Filipino short story in English. Arcellana pioneered the development of the short story as a lyrical prose-poetic form within Filipino literature. His works are now often taught in tertiary-level-syllabi in the Philippines. Many of his works were translated into Tagalog, Malaysian, Russian, Italian, and German. Arcellana won 2nd place in 1951 Don Carlos Palanca Memorial Awards for Literature, with his short story, â€Å"The Flowers of May.† 14 of his short stories were also included in Jose Garcia Villa’s Honor Roll from 1928 to 1939. His major achievements included the first award in art criticism from the Art Association of the Philippines in 1954, the Patnubay ng Sining at Kalinangan award from the city government of Manila in 1981, and the Gawad Pambansang Alagad ni Balagtas for English fiction from the Unyon ng mga Manunulat sa Pilipino (UMPIL) in 1988. Francisco Arcellana was proclaimed National Artist of the Philippines in Literature in 1990. Arcellana is buried at theLibingan ng mga Bayani. Arcellana died in 2002. As a National Artist, he received a state funeral at the Libingan ng mga Bayani. His grandson Liam Hertzsprung performed a piano concert in 2006 dedicated to him. Arcellana’s published books include: * Selected Stories (1962) * Poetry and Politics: The State of Original Writing in English in the Philippines Today (1977) * The Francisco Arcellana Sampler (1990). * Lualhati Torres Bautista Lualhati Torres Bautista (born Manila, Philippines December 2, 1945) is one of the foremost Filipino female novelists in the history of contemporaryPhilippine Literature. Her novels include Dekada ’70, Bata, Bata, Pa’no Ka Ginawa?, and ‘GAPÔ. Bautista was born in Tondo, Manila, Philippines on December 2, 1945 to Esteban Bautista and Gloria Torres. She graduated from Emilio Jacinto Elementary School in 1958, and from Torres High School in 1962. She was a journalism student at the Lyceum of the Philippines, but dropped out even before she finished her freshman year. Despite a lack of formal training, Bautista as the writer became known for her honest realism, courageous exploration of Philippine women’s issues, and her compelling female protagonists, who confront difficult situations at home and in the workplace with uncommon grit and strength. Lualhati garnered several Palanca Awards (1980, 1983 and 1984) for her novels ‘GAPÔ, Dekada ’70 and Bata, Bata†¦ Pa’no Ka Ginawa? exposing injustices and chronicling women activism during the Marcos era. ‘GAPÔ, published in 1980, is the story of a man coming to grips with life as an Amerasian. It is a multi-layered scrutiny of the politics behind US bases in the Philippines, seen from ordinary citizens living in Olongapo City point of view. Dekada ’70 is the story of a family caught in the middle of the tumultuous decade of the 1970s. It details how a middle class family struggled and faced the changes that empowered Filipinos to rise against the Marcos government. These series of events happened after the bombing of Plaza Miranda, the suspension of the writ of habeas corpus, the proclamation of martial law and the random arrests of political prisoners. The oppressive nature of the Marcos regime, which made the people become more radical, and the shaping of the decade were all witnessed by the female protagonist, Amanda Bartolome, a mother of five boys. Bata, Bata†¦ Pa’no Ka Ginawa?, literally, â€Å"Child, Child†¦ How Were You Made?†, narrates the life of Lea, a working mother and a social activist, who has two children. The novel begun with an introductory chapter about the graduation day from kindergarten of Maya, Lea’s daughter. A program and a celebration were held. In the beginning, everything in Lea’s life were going smoothly – her life in connection with her children, with friends of the opposite gender, and with her volunteer work for a human rights organization. But Lea’s children were both growing-up – and Lea could see their gradual transformation. There were the changes in their ways and personalities: Maya’s curiosity was becoming more obvious every day, while Ojie was crossing the boundaries from boyhood to teenage to adulthood. In the end, all three, and especially Lea, have to confront Philippine society’s view of single motherhood; and the novel itself brazens out to the questions of how it is to be a mother, and how a mother executes this role through modern-day concepts of parenthood. Nick Joaquà ­n Nick Joaquà ­n was born in Paco, Manila, one of the ten children of Leocadio, a colonel under General Emilio Aguinaldo in the 1896 Revolution, and Salome Marquez, a teacher of English and Spanish. Being read poems and stories by his mother, Joaquin taught himself by reading widely at the National Library of the Philippines and the library of his father, who by that time was a successful lawyer after the revolution. This developed further his interest in writing. At age 17, Joaquà ­n was first published in the literary section of the Pre-World War II Tribune under writer and editor Serafà ­n Lanot. Before publishing in the Tribune, Joaquin worked as a proofreader of the paper. After winning a Dominican Order-sponsored nationwide essay competition for La Naval de Manila, the University of Santo Tomas awarded Joaquà ­n an honorary Associate in Arts (A.A.) and a scholarship to St. Albert’s Convent, the Dominican monastery in Hong Kong. Upon his return to the Philippines, he joined the Philippines Free Press, starting as a proofreader. Soon, he was noticed for his poems, stories and plays, as well as his journalism under the pen name Quijano de Manila. His journalism was markedly both intellectual and provocative, an unknown genre in the Philippines at that time, raising the level of reportage in the country. Joaquà ­n deeply admired Josà © Rizal, the national hero of the Philippines. Joaquà ­n paid tribute to Rizal by way of books such as The Storyteller’s New Medium – Rizal in Saga, The Complete Poems and Plays of Jose Rizal, and A Question of Heroes: Essays in Criticism on Ten Key Figures of Philippine History. He also translated the hero’s valedictory poem, in the original Spanish â€Å"Mi Ultimo Adios,† as â€Å"Land That I Love, Farewell!† Joaquà ­n served as a member of Motion Pictures under President Diosdado Macapagal and President Ferdinand E. Marcos. Joaquin’s first move as National Artist was to secure the release of imprisoned writer Josà © F. Lacaba. Later, at a ceremony on Mount Makiling attended by First Lady Imelda Marcos, Joaquà ­n delivered an invocation to Mariang Makiling, the mountain’s mythical maiden. Joaquà ­n touched on the importance of freedom and the artist. As a result, for the remainder of the Marcos regime, Joaquà ­n no longer received invitations to address important cultural events. LUALHATI BAUTISTA Lualhati Bautista is one of the foremost Filipino female novelists in the history of contemporary Philippine Literature. Her novels include, â€Å"Dekada ’70 (Decade ’70)†, â€Å"Bata, Bata, Pa’no Ka Ginawa? (Child, Child†¦ How were you made?†, and â€Å"‘GAPÔ (short name for Olongapo, Philippines)†. In addition to being a novelist, Lualhati Bautista is also a movie and television screenwriter and a short story writer. Her first screenplay was Sakada (Seasonal Sugarcane Workers), a story written in 1975 that exposed the plight of Filipino peasants. Bautista has received recognition from the Philippines’ Don Carlos Palanca Memorial Awards for Literature and the Surian ng Wikang Pambansa in 1987. Her award-winning screenplays include Bulaklak sa City Jail (A Flower in City Jail) (1984), Kung Mahawi Man ang Ulap (If The Clouds are Parted) (1984), Sex Object (1985). For screenplay writing, she has received recognition from the Metro Manila Film Festival (best story-best screenplay), Film Academy Awards (best story-best screenplay), Star Awards (best screenplay), FAMAS (finalist for best screenplay), and URIAN awards. Two of her short stories have also won the Carlos Palanca Memorial Awards for Literature, Tatlong Kuwento ng Buhay ni Julian Candelabra (Three Stories in the Life of Julian Candelabra), first prize, 1982; and Buwan, Buwan, Hulugan mo Ako ng Sundang (Moon, Moon, Drop Me a Sword), third prize, 1983. Bautista also authored the television dramas Daga sa Timba ng Tubig (The Mouse in the Bucket of Water) (1975) and Isang Kabanata sa Libro ng Buhay ni Leilani Cruzaldo (A Chapter in the Book of Life of Leilani Cruzaldo) (1987). The latter won best drama story for television from the Catholic Mass Media Awards. Bautista was honored by the Ateneo Library of Women’s Writings on March 10, 2004 during the 8th Annual Lecture on Vernacular Literature by Women. In 2005, the Feminist Centennial Film Festival presented her with a recognition award for her outstanding achievement in screenplay writing. In 2006, she was recipient of the Diwata Award for best writer by the 16th International Women’s Film Festival of the UP Film Center. She is also the only Filipino included in a book on foremost International Women Writers published in Japan, 1991. Francisco Baltazar, known much more widely through his nom-de-plume Francisco Balagtas, was a prominent Filipino poet, and is widely considered as the Tagalog equivalent of William Shakespeare for his impact on Filipino literature. The famous epic, Florante at Laura, is regarded as his defining work. Balagtas learned to write poetry from Josà © de la Cruz (Huseng Sisiw), one of the most famous poets of Tondo. It was de la Cruz himself who personally challenged Balagtas to improve his writing. (source: Talambuhay ng mga Bayani, for Grade 5 textbook) In 1835, Balagtas moved to Pandacan, where he met Marà ­a Asuncià ³n Rivera, who would effectively serve as the muse for his future works. She is referenced in Florante at Laura as ‘Celia’ and ‘MAR’. Balagtas’ affections for Celia were challenged by the influential Mariano Capule. Capule won the battle for Celia when he used his wealth to get Balagtas imprisoned under the accusation that he ordered a servant girl’s head be shaved. It was here that he wrote Florante at Laura—In fact, the events of this poem were meant to parallel his own situation. He wrote his poems in Tagalog, during an age when Filipino writing was predominantly written in Spanish. Balagtas published Florante at Laura upon his release in 1838. He moved to Balanga, Bataan in 1840 where he served as the assistant to the Justice of peace and later, in 1856, as the Major Lieutenant. He was also appointed as the translator of the court. Balagtas is so greatly revered in the Philippines that the term for Filipino debate in extemporaneous verse is named for him: balagtasan. Jose Garcia Villa Jose Garcia Villa (5 August 1908 – 12 June 1973) is a Filipino poet and a National Artist for Literature. He is known for introducing the â€Å"reversed consonance rime scheme,† as well as for â€Å"comma poems† that made full use of the punctuation mark in an innovative way. Villa is also a short story writer, critic, and painter. Villa was born in Singalong, Manila on 5 August 1908. He is the son of Simeon Villa, who was Emilio Aguinaldo’s physician, and Guia Garcia. Villa went to the University of the Philippines High School. He studied pre-medicine at the University of the Philippines but did not finish the course. He decided to take pre-law, but did not finish it either. Instead, he devoted a good part of his college time writing short stories and poems.In 1930, he won the Philippines Free Press literary contest for his short story entitled â€Å"Mir-i-nisa† and used the prize money to go to the United States. He studied at the University of New Mexico, and later at Columbia University. He taught poetry at the City College of New York from 1964 until 1973. He also worked in the Philippine Mission to the United Nations from 1954 to 1963 and became the vice consul in 1965. After retiring in 1973, he continued to conduct poetry workshops in his apartment in Greenwich Village, New York City. Francisco Sionil Jose He has been called a Philippine national treasure. Born on December 4, 1924 in Rosales, Philippines, he was introduced to literature in public school and later at the University of Santo Tomas. While working as a journalist in Manila, he moonlighted writing short stories and eventually novels. In the late fifties Jose founded the Philippine branch of PEN, an international organization of poets, playwrights, and novelists. In 1965 he started his own publishing house SOLIDARIDAD, and a year later he began publishing the remarkable Solidarity, a journal of current affairs, ideas, and arts, still going strong today. Jose wrote in English rather than in his national language Tagalog, or his native language Illocano. In 1962 he published his first novel The Pretenders. Today his publications include ten novels, five books of short stories, and a book of verse. His works are available in 24 languages and some have recently been published in North America by Random House. He has been awarded numerous fellowships and awards, most notable being the 1980 Ramon Magsaysay Award for Journalism, Literature, and Creative Communication Arts, the most prestigious award of its kind in Asia. Gilda Cordero-Fernando Gilda Cordero-Fernando is a multiawarded writer, publisher and cultural icon from the Philippines. She was born in Manila, has a B.A. from St. Theresa’s College-Manila, and an M.A. from theAteneo de Manila University.Gilda Cordero-Fernando was born on June 4, 1932. Cordero-Fernando has two landmark collection of short stories: The Butcher, The Baker and The Candlestick Maker (1962) and A Wilderness of Sweets (1973). These books have been compiled and reissued later as Story Collection (1994). Another book, Philippine Food and Life, was published in 1992. Together with Alfredo Roces, Cordero-Fernando worked on Filipino Heritage, a 10-volume study on Philippine history and culture published by Lahing Pilipino in 1978. Afterwards, she founded GCF Books which published a dozen titles that deal with various aspects of Philippine culture and society. She received several Carlos Palanca and Philippines Free Press awards for her stories. In 1994, she received a Cultural Center of the Philippines (Gawad CCP) for her lifetime achievements in literature and publishing. Cordero-Fernando has also worn numerous other hats as a visual artist, fashion designer, playwright, art curator and producer. In February 2000, she produced a hugely successful extravaganza entitled Luna: An Aswang Romance†¦.. Linda Ty Casper Linda Ty Casper is a Filipino writer who has published over fifteen books, including the historical novel DreamEden and the political novels Awaiting Trespass, Wings of Stone, A Small Party in a Garden, and Fortress in the Plaza. She has also published three collections of short stories which present a cross-section of Filipino society. In 1992, Tides and Near Occasions of Love won the Philippine PEN short story prize; another at the UNESCO International Writers’ Day, London; and the SEAWrite Award in Bangkok â€Å"Triptych for a Ruined Altar† was in the Roll of Honor of The Best American Short Stories, 1977.[2] Her novel Awaiting Trespass which is about the politically sensitive theme of torture by the Marcos regime was published by Readers International ofLondon. This work gained her major critical attention in the United States for the first time, and in Britain the novel was chosen as one of the five best works of fiction by a woman writer published in 1985-86 Born as Belinda Ty in Malabon, Philippines in 1931. She spent the World War II years with her grandmother while her father worked in the Philippine National Railways, and her mother in the Bureau of Public Schools. Her grandmother told her innumerable of stories about the Filipino’s struggle for independence, that later became the topics of her novels. Linda Ty Casper graduatedvaledictorian in the University of the Philippines, and later earned her Master’s degree in Harvard University for International Law. In 1956, she married Leonard Casper, a professor emeritus of Boston College who is also a critic of Philippine Literature. They have two daughters and reside in Massachusetts. * The Transparent Sun (short stories), Peso Books, 1963 * The Peninsulares (historical novel), Bookmark 1964 * The Secret Runner (short stories), Florentino/National Book, 1974 * The Three-Cornered Sun (historical novel), New Day, 1974 * Dread Empire (novella), Hong Kong, Heinemann, 1980 * Hazards of Distance (novella), New Day, 1981 * Fortress in the Plaza (novella), New Day, 1985 * Awaiting Trespass (novella), London, Readers International, 1985 * Wings of Stone (novella), London, Readers International, 1986 * Ten Thousand Seeds (historical novel), Ateneo, 1987 * A Small Party in a Garden (novella), New Day, 1988 * Common Continent (short stories), Ateneo, 1991 * Kulasyon: Uninterrupted Vigils (collected first chapters), Giraffe, 1995 Cecilia Manguerra Brainard Cecilia Manguerra Brainard is an award-winning author and editor of nineteen books. She co-founded PAWWA or Philippine American Women Writers and Artists; she also founded Philippine American Literary House. Brainard’s works include the World War II novel, When the Rainbow Goddess Wept, Magdalena, and Woman With Horns and other Stories. She edited several anthologies including Fiction by Filipinos in America,Contemporary Fiction by Filipinos in America, and two volumes of Growing Up Filipino I and II, books used by educators. Cecilia Manguerra Brainard (born 1947) grew up Cebu City, Philippines, the youngest of four children to Concepcion Cuenco Manguerra and Mariano F. Manguerra. The death of her father when she was nine prompted her to start writing, first in journals, then essays, and fiction. She attended St. Theresa’s College and Maryknoll College in the Philippines; and she did graduate work at UCLA. Brainard has worked with Asian American youths for which she received a Special Recognition Award from the Los Angeles Board of Education. She has also received awards from the California State Senate, 21st District, several USIS Grants, a California Arts Council Fellowship, an Outstanding Individual Award from the City of Cebu, Philippines, Brody Arts Fund Award, a City of Los Angeles Cultural grant, and many more. The books she has written and edited have also won awards, the Gintong Aklat Award and the International Gourmand Award among them. Her work has been translated into Finnish and Turkish. Brainard’s second novel, Magdalena inspired the playwright Jocelyn Deona de Leon to write a stage play, Gabriela’s Monologue, which was produced in 2011 by the Bindlestiff Studio in San Francisco as part of Stories XII! annual production showcasing original works for the stage by Pilipino/Filipino American Artists. Brainard’s writings can be found in periodicals such as Town and Country, Zee Lifestyle Magazine, Focus Philippines, Philippine Graphic, Amerasia Journal, Bamboo Ridge among others. Her stories have been anthologized in books such as Making Waves (1989), Songs of Ourselves (1994), On a Bed of Rice (1995), â€Å"Pinay: Autobiographical Narratives by Women Writers, 1926-1998† (Ateneo 2000), â€Å"Asian American Literature† Alejandro Reyes Roces Alejandro Reyes Roces (13 July 1924 – 23 May 2011) was a Filipino author, essayist, dramatist and a National Artist of the Philippines for literature. He served as Secretary of Education from 1961 to 1965, during the term of Philippine President Diosdado Macapagal. Noted for his short stories, the Manila-born Roces was married to Irene Yorston Viola (granddaughter of Maximo Viola), with whom he had a daughter, Elizabeth Roces-Pedrosa. Anding attended elementary and high school at the Ateneo de Manila University, before moving to the Arizona State University for his tertiary education. He graduated with a B.A. in Fine Arts and, not long after, attained his M.A. from Far Eastern Universityback in the Philippines. He has since received honorary doctorates from Tokyo University, Baguio’s St. Louis University, Polytechnic University of the Philippines, and the Ateneo de Manila University. Roces was a captain in the Marking’s Guerilla during World War II and a columnist in Philippine dailies such as the Manila Chronicle and the Manila Times. He was previously President of the Manila Bulletin and of the CAP College Foundation. In 2001, Roces was appointed as Chairman of the Movie and Television Review and Classification Board (MTRCB). Roces also became a member of the Board of Trustees of GSIS (Government Service Insurance System) and maintained a column in the Philippine Star called Roses and Thorns. During his freshman year in the University of Arizona, Roces won Best Short Story for We Filipinos are Mild Drinkers. Another of his stories, My Brother’s Peculiar Chicken, was listed as Martha Foley’s Best American Stories among the most distinctive for years 1948 and 1951. Roces did not only focus on short stories alone, as he also published books such as Of Cocks and Kites (1959), Fiesta (1980), and Something to Crow About (2005). Of Cocks and Kites earned him the reputation as the country’s best writer of humorous stories. It also contained the widely anthologized piece â€Å"My Brother’s Peculiar Chicken†. Fiesta, is a book of essays, featuring folk festivals such as Ermita’s Bota Flores, Aklan’s Ati-atihan, and Naga’s Peà ±afrancia. Something to Crow About, on the other hand, is a collection of Roces’ short stories. The book has been recently brought to life by a critically acclaimed play of the same title; the staged version of Something to Crow About is the first Filipino zarzuela in English. This modern zarzuela tells the story of a poor cockfighter named Kiko who, to his wife’s chagrin, pays more attention to the roosters than to her. Later in the story, a conflict ensues between Kiko’s brother Leandro and Golem, the son of a wealthy and powerful man, over the affections of a beautiful woman named Luningning. The resolution? A cockfight, of course. Something to Crow About won the Aliw Award for Best Musical and Best Director for a Musical Production. It also had a run off-Broadway at the La Mama Theater in New York. Through the years, Roces has won numerous awards, including the Patnubay ng Sining at Kalinangan Award, the Diwa ng Lahi Award, the Tanging Parangal of the Gawad CCP Para sa Sining, and the Rizal Pro Patria Award. He was finally bestowed the honor as National Artist of Literature on the 25th of June 2003. When once asked for a piece of advice on becoming a famous literary figure Roces said, â€Å"You cannot be a great writer; first, you have to be a good person†.

Celie and Shugs first physical encounter Essay Example

Celie and Shugs first physical encounter Essay Example Celie and Shugs first physical encounter Paper Celie and Shugs first physical encounter Paper In the following letter Shug approaches Celie and says that she must leave. Celie is devastated by this, and is shown by the following quote, I dont say nothing. Feel like I felt when Nettie left. This extract highlights the growing feelings Celie has for Shug. Celie now begins to see Shug as a close personal friend; Nettie was the only female Celie had a close relationship with; Shug has now taken this role. The first section of the letter on pages 68-70 conveys Celies jealousy towards the relationship between Shug and Albert. The first sentence shows that Celie is still upset that Shug is leaving; Celie then turns this sadness into anger through realising that Shug is sleeping with Albert. Now we all know she going sometime soon, they sleep together at night. The two diverse issues mentioned show that Celie is confused and does not know what to think of Shug. The alliteration of sometime soon and also the consonance on the s sound create a feeling of pace and rhythm, this conveys that Celie is willing to move onto another subject as the current one brings much sadness. The second part of the sentence shows Celies hatred, the consonance on the t and its plosive edge portrays Celies anger and frustration on the matter. This part of the sentence is also monosyllabic except for the word together, as this word contains three syllables we get the feeling that Celie is running this word over in her mind and picturing the relationship between Shug and Albert. As the rest of the section is monosyllabic it shows Celie does not wish to elaborate and so is shocked at the actions of Shug. In the next sentence there is more of a realisation from Celie that Shug and Albert sleep together frequently. Not every night, but almost every night This strong, mid-line pause creates this understanding. In the following paragraph Celie becomes frustrated at Alberts treatment of women as mere objects, And just to look at her. The sentence begins with the conjunction and; this represents negative thoughts and anger from Celie over Alberts lack of consideration for Shugs personality. The use of the pronoun her shows that Celie has little respect for Shug at this present moment. Celie may be confused as to why Shug has a relationship with Albert when Celie knows that she respects Shug as a person as well as taking into account her good looks. The quote is monosyllabic and conveys that Celie does not wish to waste her breath over something she has seen many times before. Celie is depicting Albert as a stereotypical male. The feeling that Shug enjoys her relationship with Albert is shown through a number of sentences. do you mind if Albert sleep with me? The wording of this extract builds up a feeling that Albert is very much in control of Shug; Albert sleeps with Shug, Shug does not sleep with Albert. Shug then openly declares to Celie that she enjoys sleeping with Albert, I just love it. Additionally, Shug states that she still has a passion for Albert. It becomes clear that Shug still loves Albert even though she sees him as a bully as well as weak and many other negative statements. Celie seems to have latched on to the fact that Shug still loves Albert; this factor increases Celies jealousy and hatred towards Albert, and possibly Shug. You still love him, I ast. The lack of a question mark signifies the quote as imperative. Celie is not asking but simply stating, in an aggressive manner, that Shug loves Albert. The use of the pronoun him conveys that Celie still has little or no respect for Albert. Monosyllabic words are used to create a short and sharp sounding sentence to reflect Celies anger and frustration. Celie is most likely confused as to why Shug is sleeping with a man who is violent towards women.

The Word is Succumbed

The Word is Succumbed The Word is Succumbed The Word is Succumbed By Maeve Maddox A reader asks: Does the word sucummbed really exist? As in he finally sucummbed to the cold and lay face down in the snow Whats interesting about this question is not that succumbed is misspelled, but that this reader kept encountering this misspelling as he tried to find a definition. Ordinarily when I type a misspelled word into the Google box, for example, Tolkein, I get the question Did you mean: Tolkien? at the top of the search page. When I typed in sucummbed, the question Did you mean succumbed? did not appear. Numerous entries with the sucummbed spelling did. Succumbed comes from a Latin word meaning submit, sink down, lie under. In modern usage it can mean to submit to a superior force: The beautiful old tree-lined streets succumbed to the communitys desire for a shopping mall. It can also mean to lose a fight against a disease or some other physical attack: After ten months of painful chemotherapy she succumbed to cancer. He succumbed to wounds received in Iraq. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:20 Great Similes from Literature to Inspire You3 Cases of Complicated Hyphenation50 Synonyms for "Song"

A Reflective Report Essay Example | Topics and Well Written Essays - 2000 words

A Reflective Report - Essay Example The presentation work submitted by our group will also be studied for understanding our overall learning as well as gap between our expectations at beginning of the unit and extent of our success in completing and meeting objectives. The self-reflective report has been divided into three major parts. The first part introduces the objective and provides a clear understanding of the flow of self-reflective report. The next section is a reflective commentary where different techniques and tools for critical foresight have been evaluated. Their impact on my own thinking process will also be discussed. This section will also compare opinions and ideas from the literature. The last section will be a conclusion of key points discussed in the reflective commentary. The coursework was presented on the topic of Bio-fuels. The report was an exhaustive study including analysis of trends on bio-fuels, their usage and current availability as well as future scenario development (Slaughter, 1996). Deeper insight on the future of transportation and role of bio-fuels was presented with the help of PESTEL analysis. Based on PESTEL analysis, various recommendations for sourcing bio-fuels as well as enhancing its usage was discussed. The feedback provided after final submission helped in understanding areas that needed improvement. According to the feedback, initially the report was well-written till the introduction section. However, after the introduction, the report started to look like an essay containing majorly descriptive studies as well as lacking any aim or objective. While referencing was appropriate, the report was said to be weak in areas such as, trends, interactions, scenario development as well as proper explanations. The feedback also sugge sted that the report lacked focused justification or any identified opportunity. While the style of writing was clear and

Developmental Psychology Observation paper Essay

Developmental Psychology Observation paper - Essay Example By this time, there were about five of us outside watching her out-of-control behavior. My brother took her arms and tried to make Annalise laugh, and in turn she smacked him right in the face. Lisa, Annalise's mother, finally came out to help, but by this time Annalise was on a mission. She went after her mother, kicking her in the legs. As Lisa tried to pick her up, she pulled her mother's hair and wanted down. Annalise was so disturbed that she took off down the driveway, into the street, and laid down in the middle of the road. Although they eventually managed to get her back into the yard, her tantrum continued for at least fifteen minutes longer. By this time, my son had woken up crying because of the commotion going on outside, and I just wanted to go home. Luckily, the whole ride home went smoothly because Annalise fell back asleep. This episode left me asking myself many questions. Who are the parents here How often does this happen Does Annalise become angry often What woul d I do if this were my child Many theorists could place Annalise's behavior into their developmental stages. Freud would say that Annalise fits perfectly into the anal stage. During this stage, the biggest challenge faced by the child is potty training.